Posts
by n splendorr
September 24, 2019

A Poem by Rilke from Memory

There is no sun like ours,
when the sparrows carry it lightly
into place. They leave clean stitches
you can hardly even see by squinting.
Bows mid-air, then whispering away.

I've been to other cities. Strange parks.
Saved details to bring back home to you.
From the hills outside London, "Their sun
sags long range doom, a funeral skirt
reversed to pretend a willing bridesmaid."

On the girders of unbuilt New York,
"A self-inflicted wound held up in triumph,
this sun drips gold-flake blood which
soaks reluctantly into floorboards while,
eyes dead ahead, trees clap only admiration."

On a Greek beach I wrote, "Here the sun
knows better than to leave the water.
It peeks lazy above the horizon all day,
draws a deep breath before dipping under,
and pities the hills their station."

But you and I have it best.
On our cushion of folded grass,
your grandmother furious we've stolen
her For Display Only quilt again. All of it
glowing through fine-wine crystal.

There is no sun like ours.
It gathers between our teeth. Aftertaste
of unearned hope. Courage pulled
close around our shoulders. Held tight
against the sky, no branch, no snag,
no shivering undone night.

September 23, 2019

Hollow Knight: The OFFICIAL First Few Hours Review

(I tweeted this yesterday but wanted to save these thoughts somewhere more permanent. I'd may write at more length as I keep playing.)

So it seems like everybody else already knows it's good, but I started Hollow Knight this weekend and am delighted by its poetry, mood, and action. I thought I didn't want to play another exploratory platform game. I was wrong! I just met an antique collector in a glass-walled, rain-painted, hidden-deep city, and my heart swelled with so much quiet affection I had to step away to savor it.

Earlier this week I played a couple hours of Super Metroid, remembering my first experience with it two decades ago and wondering if it was possible to expand on that energy in new and interesting ways. Hollow Knight has absolutely done it in just a few hours. And a great deal beyond that. I don't mean to diminish it by simply insisting on the comparison to Metroid. It's a pretty remarkable synthesis of many lineages, which welcomes comparison but exceeds reduction. I'm honestly floored by it.

September 23, 2019

I've been taking antidepressants for two weeks, and it mostly rules

I've felt both a desire to write about it here, but also a hesitancy to talk about it too soon. But I'm gonna talk about it! Two weeks ago, on the eve of my 33rd birthday, after years of talk therapy that helped me but didn't change the clear fact that my biochemical disposition has been towards depression, I had a meeting with a psychiatrist and got prescribed small doses of generic Wellbutrin and Lexapro (Bupropion and Escitalopram — from memory I think that's what they're called anyway), two medicines that affect dopamine and serotonin respectively.

And y'all? The internal weather has been very different from normal. Not in major ways; I'm told the Lexapro won't really kick in until 4–6 weeks have passed, though I think I've dealt with some its side effects already. The Wellbutrin is almost definitely affecting me, in ways I'll elaborate shortly. But the biggest surprise is that I felt different as soon as I took the first dose, and not because the drugs kick in that quickly: I felt relief that I was doing something, that there was a chance things would change, and the thought that I might finally escape the quicksand feelings I've dealt with in some form for over a decade... I felt relief, and something like hope, immediately.

In the couple weeks since then, here's roughly what's happened. I'm gonna go into day-by-day detail and then sum it up at the end. Read it, skim it, or don't!

Sept 9

Surprised by how much I liked the psychiatrist. I was only able to afford counseling by going through Nuçi's Space, a local musician support / suicide prevention institution. You can go there and get hooked up with counseling at a significantly-reduced rate. And I only went back to counseling after a year because of my partner Erin, who was also the one who convinced me to go to counseling in the first place several years ago. I owe her and Nuçi's a great debt of gratitude. And the psychiatrist they connected me with was thoughtful, sweet, and felt trustworthy.

I went back to counseling because I've had such vicious depression in recent months that it was hard for me to work, let alone enjoy myself much at all, and because I had reached a low that had me wondering if it would be easier to die than figure out how to improve. "Easier" is relative, and while giving up is an option, hurting everyone around me and leaving them with the mess of my unwillingness to try everything else wasn't on the table for me. So I started do everything I knew to do to manage my depression, talked with people about it, Erin helped me make a new counseling appointment, and this time I decided I was willing to try medicine if it would help me avoid getting this bad again.

I've had a contentious relationship with drugs my whole life. There's addiction in my family; early contact with alcoholics made me so opposed to drugs that I avoided recreational drugs and alcohol until I was almost 30. Smoking marijuana where it was legal helped me remember what it was like to relax; drinking small amounts of alcohol helped me re-learn to enjoy singing, dancing, and being silly. I had gotten so pent up, anxious, and afraid of myself — fear that I would lose control, that I couldn't trust myself — and carefully engaging with these things helped me in a big way to learn to trust myself better.

That's not everyone's experience, and I certainly don't recommend that broadly. What I really needed was therapeutic medicine, probably, but for some reason that was even harder to let down my guard on. What I think of as American individualist and Christian guilt-driven mentalities made it very difficult for me to accept that I was unwell in a way that needed treatment, rather than simply failing to try in the right way. I made a lot of progress through personal effort and talk therapy, particularly cognitive behavioral strategies around catching and breaking negative thought loops. But if it were possible to simply lift myself out of depression and into better living, I would have. It didn't work that way. So I finally acknowledged that trying medicine was better than being stuck wondering if I should die. I don't want to die! I just wanted to feel different.

So the psychiatrist was good. The medicine was only $18 for a month of generics; obviously we should have a national health service that includes mental health care and we should all be able to get this stuff without paying extra. But here in hellworld USA, that's not bad. I got home, read all the guidelines about the medicine, and took the first dose. Wellbutrin in the morning, Lexapro at night. And the immediate effect, as I said before, was simple relief at doing something new that might help.

Sept 10

I felt buoyed and hopeful by doing something, and may even have felt an immediate spike in energy from the Wellbutrin. Hard to say. But I got more work done than I had been, and had some good hangouts with friends.

Sept 11

My birthday. On Monday the pharmacist asked me if I had any big plans for my birthday; I gestured at the medicine and said, "I'm finally trying to treat my debilitating depression!" She laughed sympathetically, but I wasn't kidding. I didn't do much for the day itself; and by the evening I was feeling kinda weird. Just sat and played Boundless with some friends, doing a little mindless digging as my brain felt kind of hazy and tired in a strange way that wasn't entirely unpleasant.

Sept 12

Hazy day. Didn't get much done. Worked, went to band practice and hung in there but really wasn't feeling like myself. I did go to karaoke, but taking this medicine also means no alcohol for at least a month while I adapt, so that changes the karaoke vibe. But it turned out I was really feeling spacey; I said weird stuff, and had to just tell friends I was adjusting to new medicine and wasn't myself. Again, not terrible, and I was told to expect a few days here and there were I might not be up to normal tasks. Several friends have told me during the first few weeks of new medicine this is normal enough.

Sept 13–16

This was a surprisingly-good few days. I found myself waking up early, which is weird: I'm historically a wake up between 10 and noon kind of person, which I've been able to get away with thanks to a freelance work schedule for several years, or by working jobs the in afternoon and evening. However, I've been waking up between 6:30 and 8 for months now, but then rejecting it and making myself go back to bed. So I decided to lean in to that schedule and try to just get up whenever my body wanted to. This got way easier on these days, such that I got up and walked someplace for a small breakfast with coffee and then got to work. I also found myself getting super sleepy around 10pm, rather than being wide awake until I tricked myself into sleeping between 2am and 4am, so I tried to just go to bed.

On Saturday I went to Atlanta with the cover band to play a big house show slash fundraiser for the Piedmont Park conservancy, and felt kind of buoyed throughout. A bunch of stressful stuff happened, outside of my control, and I got kind of stressed but didn't let myself spiral into darkness and anxiety. It was much easier than normal for me to just say, "Hey, you know what? This is what's happening. I'll do my part and let the rest of it go." The show went great, I had fun with it, and we had a nice hangout including my brother and other nice folks. Got super tired around 10 again, but had to walk back and chill in the living room of the house we stayed in with one of the guys' family and friends. It was nice, and when I did go to bed I slept well, and then woke up way early the next morning to get things ready since I knew my bandmates had been drinking and wouldn't get moving quickly. I just got up and accepted that I needed to do these things, rather than engaging in the "uggggh noooooo" kind of feeling I have had so much of the time.

I want to call attention to that: reduced mental friction. One of the biggest ingredients in what I think of as my depression has been friction between thinking of something I need or want to do and then actually doing it. It's just been hard to change course, or to accept that I have to do something difficult or unpleasant or even just mandatory. Again, whether it's the medicine or the renewed sense that I can be helped, I've had a much easier time just doing things that need to happen, from washing dishes to waking up earlier to tackling new problems with work. That's been quietly remarkable, and several people have noticed and commented on it positively. It feels good to just not go through this internal tug of war over whether something is going to happen. It's a battle I've often lost in favor of doing something irresponsible like scroll twitter, play video games, or just fuck around in some other way that diverts away from the feeling there's something I should be doing that I'm not.

Another possible effect: focus. I'm told Wellbutrin can also be prescribed for ADHD, and for the last year or so I've really been thinking about how many ADHD-type symptoms I've been displaying. It sucks to pathologize yourself in certain ways, but it's been helpful to try and identify these things. I still don't know how to assess the effect this might have had on my earlier life, but in the last few years it's gotten harder and harder for me to stay focused on tasks that require me to sit still and focus, which is terrible for doing computer-based work of any kind, especially programming. But this last week or so it's been a lot easier for me to lean in and just commit to doing something without questioning or distracting. I've also been working on this in other ways, including reducing distractions by force if necessary, including bringing fewer options with me, putting myself in places where I don't have access to too many possibilities, trying to just do whatever seems most interesting rather than fretting and getting stuck on not choosing anything, and very importantly using software to restrict my access to Twitter, which has been very painful to recognize as an ingrained habit, but deeply helpful to reduce. So there are a lot of factors I can't simply attribute to the medicine, but I'm doing everything I can do try and improve my relationship to myself and my obligations.

So after waking up early, getting stuff ready, and riding back to Athens on Sunday, I got home and rather than go back to sleep or kick it on the couch, I cleaned up the house, took out the trash, and decided to go to work. I didn't wind up doing much web work, but I did read the first few chapters of The Artist's Way, skim some of the later chapters, and made a commitment to try the Morning Pages. I've had a contentious relationship with this in the past, particularly because of the tension between thinking of myself as a "good writer" who has found it painful to write at length in conflict with the pain of not having done more with that skill and associated dreams. But at one point she points out this exercise is especially difficult for writers, because they tend to try to write them well, which isn't the point. Just write three pages as quickly as possible, let it be messy and tedious and simple, and that's all fine. That was helpful, and I've kept that in mind this week as I actually did the Morning Pages more days than not.

On Monday I had a good work day, a nice dinner with Austin, and then went to Flicker to see my friends play music, including bandmate Jack Cherry's last show here before moving to Austin for work. It got started late, and I was tired around 10pm again, but I stuck it out and just kinda chilled until after midnight without getting upset about it. I slept in a little more the next morning, but still didn't feel like sleeping all morning.

I also want to record that on Monday morning I had an unusually-vivid dream that included a lot of things that would normally make me anxious, which I also acknowledged in the dream, but which the dream seemed to ask, "Okay, but what would these things feel like if they worked out well?" I was going to college despite my difficulties with that, I was worried about getting older but people said it was okay, I danced and fell in love and talked with people I haven't seen in a long time, and all of it had elements of worry that were met with relief and gentleness. It was a remarkable dream and waking from it left me feeling warmer and more optimistic than I have in a long time. Usually my dreams leave me murkier or worried or, when they're nice in some way, disappointed that they aren't real. This was a very different way to wake up and its images have stuck with me and made me question my waking assumptions about what is possible! Weird, huh?!

On Monday night I also upped the dosage of Lexapro, as the doctor had told me, from a half-tablet to a full tablet.

Sept 17

Good work day, did morning pages, good dinner with my friend Ashley, which included a moment I also want to comment on. I'd been noticing that I was feeling things differently, or more than usual. There was warmth and silliness available to me that I've had a hard time accessing; and things were reaching me rather than hitting a cold, dry, unfeeling wall of, "So what?" And for dessert we had this chocolate tres leches cake that, when I bit into it, I felt in a way I haven't felt food in a long way. It was vivid, rich, and honestly verging on erotic in a way I don't know I've ever felt. It was wild. Maybe this was Magic Cake — and Ashley described it similarly, so it wasn't just me — but I think the changing parameters of my emotional availability definitely had something to do with my ability to enjoy it!

MISTAKE! I had one margarita with dinner because it was offered and I wanted to find out what would happen. It didn't seem to have much negative effect the next day, but then I goofed it!

Sep 18

Had an appointment with my counselor (not psychiatrist, that's tomorrow) where I was able to recount a lot of this. She was surprised, and asked me whether I thought all these changes and efforts — exercise, morning pages, drinking less coffee, changed sleep schedule, etc — are sustainable. I told her I have no idea, and I'm not attached to keeping things this way or afraid of having off days, but I'm leaning in as much as I can when I feel like it. She said that sounded good and to keep track of it.

Good work day, good hangout with friends that evening. But then MISTAKE 2: hanging with my friend Gemma at a bar, I decided to have TWO drinks over several hours, and I tell you what I think that was not a good idea!

Sep 19

Between upping the Lexapro on Monday, which I assume has been the culprit in making me sleepy/hazy sometimes, and having alcohol which I know is prone to bad interactions with these drugs, Thursday was not a good day! I felt okay, but definitely not as good as I had been, and couldn't find as much focus or energy. Still managed to go try out singing with a new band, had a good time but couldn't bring a lot of energy to it. I also had some throat tightness and sneezing so this might also have been related to weather shifting colder, or construction in the vicinity of the practice space. Who knows! But I'm gonna totally refrain from alcohol for several more weeks, following this ill-advised experiment.

Sep 20–22

Also dragging a bit, on Friday I was able to still get some things done, including a bunch of housework before having a guest for the weekend. So even while down, I still got more stuff done. On Saturday I deliberately rested, played a bunch of Hollow Knight (which I love so far), and also leaned in to just wanting to play a bunch of that game. Played Overwatch with Austin, Peter, and Patrick, and found myself feeling about it more, possibly in an annoying way, as when I got frustrated I think I was more vocal about it than normal. Even though I can be a complainy son of a lich about competitive games even on a good day (I hate being killed by a Reaper, Mei, Bastion, or Doomfist, all of whom are super annoying and hard for me to counter, and I am not above calling them unbalanced rather than accepting responsibility for my own poor aim and awareness 😎). Sunday I spent time with Erin, watched a bunch of Deadwood for the first time (also enjoying it much more than I thought I would) and was still able to do household chores and basic responsibilities with less internal friction than before. I skipped the morning pages and slept in later these days, partly because my sleep schedule was interrupted by our house guest getting in late both nights, but I didn't mind!

And that brings us to today, when I got up early again, did the morning pages, had my morning call with Ryan (that's something I've omitted from most of these days, but Ryan and I are having weekday morning calls to check in on what we're working on and make those things feel more concrete, which is so helpful for me as a base level of accountability), had breakfast and then got set up to work. And now, as a break while I marinated on how to approach my next programming tasks, I wanted to write this up and let y'all know how things were going.

Overall

Week one was a couple decent-feeling days, followed by a couple of hazy days, followed by about 4 days of some of the best mental space I've had in a long time. Then, whether from upping my dosage or having alcohol, I had a couple more hazy unproductive days, which are now trending back upward toward productive and possible-feeling.

I wanted to write this down for you who have been subjected to my less-filtered difficulties in recent months and years. Things are changing; and this hopeful start may or may not lead to lasting improvement, but I'm willing to adjust medicine and try new things and engage whatever strategies I can to be less of a burden on myself and others, and that feels really good to be able to say. Medicine isn't magic, but I do need treatment of some kind and am not afraid to admit that anymore. I spent years struggling against myself and my environment, and if medicine can help reduce that struggle, I want it. I want to feel okay. The biggest thing for me hasn't even that I've felt more positive; I still feel and think about the negativity and difficulty of so many things. Rather, what's changed most is that instead things feel possible. It feels possible to handle those difficulties, to work when it's hard, and to feel good when there are things to appreciate. So that basically kicks ass!

I also wanted to write about this in case any of you think medicine could help you but have been afraid. There are a lot of different drugs and different outcomes, so who the heck knows, but I've gotten a lot of positive support from friends and acquaintances who have taken medicine, and I honestly wish I had seen a psychiatrist when I was 23 instead of waiting until 33. But it's okay; getting there eventually is better than giving up or beating myself up about past events. Maybe it'll still wind up sucking, but I'm glad I'm trying it and will try whatever else I can to keep moving toward being healthier!

I don't know if I'll do another public day-by-day account like this, but I felt like documenting so I could talk about it more in the future. I'll let y'all know how things develop, and also share more stuff that's been going on. I felt a little blocked on making Posts before talking about this in some way, but now that's out of the way!

Thanks for reading.

September 19, 2019

His Slobbering Heart

Meat Loaf offered his slobbering heart on a silver tray, and so did we all before we knew better, and thus did he violate one of the cardinal covenants of artistic maturity: as adult creators, we are never again to partake of the gasping desperation of those teenage years once they pass us by. If we only wrote what we felt, we’d be teen idols forever, enslaved and enfeebled by our emotions. If we said what we felt as soon as we felt it, what havoc we would wreak!

Well, I’m not too good for Meat Loaf, any more than I’m too good for the truly elemental experiences of the earth, the orgasm or the slashing of an artery or the blissful thrill of Motorcycle. No writer is, no artist should be. The more willing we are to inhabit agony and ecstasy and the rest of it, the more popular we become! How magical is that? All we have to do to appeal to humans is feel the feelings of humans. It’s simple, and yet if the writer’s goal is not to get hurt, it’s the most impossible thing in the world. Already too susceptible to feelings, we believe we avoid them with good reason.

— Rax King

I like this essay!

September 15, 2019

"That Was When I Was Blooming"

This whole interview with Yoshiro Kimura is a valuable perspective on creating over time, but I particularly appreciate this bit:

Interviewer: I see. There are a lot of RPGs and games that follow standard methods and take the safe route, but you tried to do something different which I think a lot of people enjoy and respect. Maybe that’s another reason it became a cult classic.

Kimura: “When making the game we had that philosophy: the game should play like this, the story should be like this. Of course now I say something was wrong about the game, I can say that. But at the same time I can sense and see the heart in the game from young Kimura and others fighting against reality. After I escaped Square, thinking I can’t make games for this company, I almost quit making games. I was thinking I should go back to drawing and writing stories. But my friends said “come join us” and I suddenly had the chance to write the story for Moon. That was when I was blooming, so I can not deny this experience. I have to recognize both the good parts and bad parts and respect young Kimura.”

"I have to recognize both the good parts and the bad parts and respect young [me]," is something I want to internalize. It's too easy for me to look back on past experiences and invalidate them — and myself — by focusing on what I wish now had gone differently. I don't agree with people who say, "I wouldn't change a thing; everything that's happened made me who I am today!" because that implies you like who you are. I don't. I'm working to accept myself, but I'm also working to become a version of myself that I'd rather be. BUT that doesn't mean you need to go around trash-talking your past self and work (unless you've harmed people along the way, that's something to feel bad about, but in a way that drives you to apologize and atone if possible). I can tend to talk very negatively to myself about my past, even things that in another mood I might be grateful for or proud of.

Even if I would change things now, all I can do about the past is accept it, and respect that I made the decisions I could with the tools and conditions at hand. Even when I don't think I did my best, I did what I could. I want to do better in the future, and will always be aiming higher, but when looking back I want to say, "That was when I was blooming, so I can not deny this experience."

September 12, 2019

Pals at the End of PAX

Harris took a few pictures of me, him, and Ryan on the morning before we flew out of PAX, and got a pretty good picture of what I look like when I'm waking up!

I still can't really write articulately about the larger arc of this PAX, but the highlights were all the lovely people I got to spend time with.

September 12, 2019

"Where do you go?"

This album has some of my favorite lyrics in a long time. I've thought in recent years that I connect much less often with the words in songs than I used to. As an impassioned, romantic, volcanic teen, there are thousands of songs available to map yourself onto, whether it's healthy terrain or not.

As a 30-something battling depression in dark times, turns out I needed upbeat, singalong rock-pop songs about burning out and still trying to believe in the possibility of believing in yourself. There aren't enough of these, as far as I can tell.

Where, where do you go
When the tears leave your eyes?
When you feel that burn
I know words can't describe

Where do you go?
Remember when you told me?

When you can't believe in yourself
All you hear is anyone else
And if you'd just believe in yourself
We can tune out everyone else
That's all right!

September 06, 2019

We can be helped

I've been trying everything I can to improve my well-being in the last few months. For most of the last year, I've been down more than I've been up. I slowly lost a lot of my healthy habits around work, exercise, socializing, and so on, and there are a lot of reasons that might have been. But the last few months got much worse, and then I kind of scraped the bottom and started coming back up thanks to help from people close to me, so I've really been trying to change everything I can to get to a better place. New counselor, trying medication, resuming exercise, and trying to practice the mental habits that have helped in the past.

I've also tried to change my inputs. I realized I was listening to too many podcasts out of habit that I didn't find interesting but were comforting because they helped me avoid thinking, not enough good-energy music, too many stressful video games, all kinds of ingredients that can be fine but were only adding to the negative outlook I have had a hard time shaking. So I'm trying to change my mental environment partly by changing what I spend time immersed in.

This includes trying to consult books and other resources that might reinforce a healthier outlook, and this is what has proven to be hardest. I've tried to look for guidebooks that I can trust to try and reinforce the possibilities of life rather than its limits or lacks, including the Universal Traveler book I posted about last week. The thing is, though, that I've been really resistant to engaging with anything that says things can get better. That people can improve. That I specifically can feel better and be healthier or happier. I have slid off of several different texts that had been helpful in the past, and I wondered if it was because they just didn't feel exciting or like a new approach, or because they genuinely weren't helpful. But then beginning to re-read The Artist's Way this morning, I paid attention to my feelings more closely and understood: I stopped believing I could be helped.

Man, that's a fucked up thing to type out loud. I don't believe I can be helped. When looking at a book that says, "Do this, and you will improve your life," I have been responding with a scoffing skepticism that is based in disgust with how difficult it's been for me to feel good lately, but not on the reality of whether I can change for the better or not. But it's also something that's been uncomfortable enough that I haven't engaged with it directly until today; I had to try extra hard to inhabit myself and really feel what I was feeling to notice this, rather than just slide off of the book dismissively and go do something else. I know doing things from the Artist's Way can be helpful. I've done the Morning Pages and benefited. Ryan said he was doing them the last few months and really enjoying it; I realized that I was thinking to myself, "Well I'm glad it's working for you," with the rest of the thought being an implied, "... but they wouldn't help me. Nothing is helping me right now." But saying that out loud shows me immediately that it's not true! When I do helpful things, they help. It's the presumption of defeat (and probably a severe serotonin deficiency) that is preventing me from engaging in helpful strategies.

Nothing can help if you just do nothing.

So I want to counter that thought directly: I can be helped. We can be helped. When we are struggling, we need to admit that we need help, and find it wherever we can. I want to be open to listening and trying things that could help me feel better. I want to set aside the skepticism that precludes any attempt. I can learn new things. I can remember and reclaim old strategies that helped. I can set aside habits that don't help. I am not stuck, I am not too old to change, I am not doomed to repeat the same mistakes in exactly the same ways forever.

We can be helped. That's a nice thing to type out loud.

An earlier movement in this change in my understanding came yesterday, when I looked around a bookstore for a little bit, wondering what I wanted to read that I didn't already have access to. I kept thinking, "I want to read something that will help me feel better," and struggling to imagine what that might be. Finally, I came across Emergent Strategies by adrienne maree brown. My friend Sara recommended this to me over a year ago; I'd read some of brown's essays in the meantime and enjoyed them, but hadn't followed up on the book. Okay, I thought, let's take a look. I flipped open the book and the first thing I read was, "In these ways, I meditate on love."

I felt my ghost roll its eyes so hard that it did a full flip inside my body. COME ONNNNNN! But then I caught myself: what the fuck is wrong with me that I don't like the sound of meditating on love? That sounds like a nice thing to do! "Love is useless," I thought, and then, "Meditating is painful." Ah, buddy. Aw man, poor little guy. I felt my long-absent compassion for myself open up, and I remembered that one counseling approach is to treat your internal voices with the care you would show a close friend who was hurting, or a little child who needed perspective. It was deeply sad to feel and recognize those feelings in myself, and to go, "I don't agree with those thoughts. I, the one who can respond to the thoughts that surface and break in the water of my consciousness, don't agree. What can I do to help?"

So I made myself read a bit more, flipped around, and found the book brimming with positivity and actionable ideas. I pushed through my resistance, bought the book, and began reading as I walked a mile up the sidewalk. Slowly I opened myself up to the book's attitude and approach, which begins:

First and foremost, thank you for opening this book. I hope you enjoy reading it as much as I have enjoyed living, learning, and gathering it.

What a nice way to start a book!

Wherever you are beginning this, take a deep breath and notice how you feel in your body, and how the world around you feels.

I almost threw the book on the ground. "TAKE A DEEP BREATH???? HOW DARE YOU!!!!" But... why on earth am I so resistant to this? I love taking a deep breath. I know it helps. I do it all the time. Somehow, being told to do this simple, helpful thing felt offensive, aggressive... I don't know! But I knew this would be good, even though my initial surface-level response was to get defensive. I took the deep breath, tried to feel my body, and the warm sun and air and my feet hitting the pavement, the book in my hands, the bag slung over my shoulder. And it helped. I felt better, more open, more grateful, immediately.

I needed to be told to take a deep breath, and not just to notice the world around me, but to remember there was a world outside of the constricted personal internality that has held me captive for so long. I can remember times when I've walked down the street and simply smiled at sunlight waving through trees, but that felt like someone else. Someone gone. But following this admonition, unconsciously seeking help, I felt a glimmer of that warmth and peace.

The book goes on:

Take a breath for the day you have had so far.

I did. I briefly reviewed everywhere I had been so far, and felt nice about the morning.

And a breath for this precious moment, which cannot be recreated.

Still fighting the resistance, I took a breath. I was glad to be reading this book on this sidewalk.

Now, another for the day and night coming.

Pushing through my fear of any future, even the immediate, I took another deep breath. I felt better and better.

Here you are, in the cycle between the past and future, choosing to spend your miraculous time in the exploration of how humans, especially those seeking to grow liberation and justice, can learn from the world around us how to best collaborate, how to shape change.

Every fragment of that sentence met brick-wall resistance from my negative mind, but one by one I let them through. I do want to grow liberation and justice. I do want to learn how to best collaborate. I do want to shape change, within and without. Fuck, it feels good to affirm these things; birds breaking through the smog of my factory mind.

The most dangerous thing about cynicism is that it feeds on ego; you must be convinced you are absolutely right about the world being an irredeemable shithole to sustain complete negativity. And you have to work to reinforce that position, or else risk ego-pain by realizing and admitting wrongness. This is the conservative death spiral. Wrongheadedness that requires you to put in work to prop it up. An abusive relationship with the self. So much of my negativity is based on believing I am smart enough to see things as they are, but somehow it has also become a belief that I am powerless to change anything about that bad world, seen so clearly. But a deep breath is a simple act of change that can undermine the cynic entirely.

And the cynic wants to be right. So the cynic resists even simple acts of change. Take a deep breath and remind the cynic that they aren't in charge here.

A few pages later brown writes:

Staying focused on our foundational miraculous nature is actually very hard work in our modern culture of deconstruction. We are socialized to see what is wrong, missing, off, to tear down the ideas of others and uplift our own. To a certain degree, our entire future may depend on learning to listen, listen without assumptions or defenses.

IT IS HARD, ADRIENNE!!! God, it's hard. But saying that it's hard helps relieve the pressure! If something is hard, it's okay to feel scared by it, or defeated. But difficult is not impossible. If it's hard work, then applying the work is worth it.

I think about how invested I've been in the deconstructive exercise. How clearly I can see sometimes the weaknesses in our cultural Jenga tower. If we only tear down and dismantle, the world looks like rubble we'll never recover from. But it's not enough; it's not true that this is all there is. There are things to build, other ways to use little wooden blocks besides inevitable precarity. Games about building shared solidity, rather than trying to squeak out one more useless achievement, one more extraction of finite resources, before the whole thing comes crashing down.

Our culture blames the last person to touch the tower when it collapses. But we're building this thing together. We need to change the rules.

Octavia Butler, one of the cornerstones of my awareness of emergent strategy, spoke of the fatal human flaw as a combination of hierarchy and intelligence. We are brilliant at survival, but brutal at it. We tend to slip out of togetherness the way we slip out of the womb, bloody and messy and surprised to be alone. And clever—able to learn with our whole bodies the way of this world.

My hope is that this content will deepen and soften that intelligence such that we can align our behavior, our structures and our movements with our visions of justice and liberation, and give those of us co-creating the future more options for working with each other and embodying the things we fight for—dignity, collective power, love, generative conflict, and community.

These are all such lovely observations, and pleasant things to envision and work toward. And then, on the topic of love:

One thing I have observed: When we are engaged in acts of love, we humans are at our best and most resilient. The love in romance that makes us want to be better people, the love of children that makes us change our whole lives to meet their needs, the love of family that makes us drop everything to take care of them, the love of community that makes us work tirelessly with broken hearts.

Perhaps humans' core function is love. Love leads us to observe in a much deeper way than other emotions. I think of how delightful it is to see something new in my lovers' faces, something they may only know from inside as a feeling.

If love were the central practice of a new generation of organizers and spiritual leaders, it would have a massive impact on what was considered organizing. If the goal was to increase the love, rather than winning or dominating, I think we would actually imagine liberation from constant oppression. We would suddenly be seeing everything we do, everyone we meet, not through the tactical eyes of war, but through eyes of love. We would see there's no such thing as a blank canvas, an empty land or a new idea—but everywhere there is complex, ancient, fertile ground full of potential.

I have a hard time believing this as true or possible, but the cynical part of me that rejects this kind of thinking is precisely the part of myself I want to stop empowering. It feels nice to hear this shape of thought. "Love is useless," I thought, even though I don't believe it; and here is someone saying, "Love is most useful." I want to listen and agree.

Coming back around to that first line I read:

The Sufi poet Hafiz said, "How do I listen to others? As if everyone were my Teacher, speaking to me (Her) cherished last words."

I am listening now with all of my senses, as if the whole universe might exist just to teach me more about love. I listen to strangers, I listen to random invitations, I listen to criticisms, I listen to my body, I listen to my creativity and to the artists who inspire me, I listen to elders, I listen to my dreams and the books I am reading. I notice that the more I pay attention, the more I see order, clear messages, patterns, and invitations in the small or seemingly random things that happen in my life.

In all these ways, I meditate on love.

Based on these examples, what could be nicer than meditating on love? I have experienced this mindset in the past, I remember and recognize it, and I want to do the things that will help create the conditions for me to feel this way again.

And so, following adrienne's example, today I tried to listen to my body more closely, and listen to the teachers who are available. And this led to the concrete understanding that I've internalized my own helplessness, that I just could not be helped, even when it was materially untrue. Even when being helped, I felt helpless. Even when helping myself, or others, I was operating from an assumption that it didn't really matter. That these things might help in the short term, or appear to help, but that ultimately it was useless.

I disagree with that thought. I disavow it. I want to set it aside and pick up the position that helping, listening, and loving is the whole thing.

And so I pick up the Artist's Way, find myself sliding off of Julia Cameron's suggestion that change is possible, and realize that I can't hear her through my own resistance. Even as she simply says that things can improve, I’m rejecting it. I don't want to reject this advice! I want to listen and believe:

No matter what your age or your life path, whether making art is your career or your hobby or your dream, it is not too late or too egotistical or too selfish or too silly to work on your creativity. One fifty-year-old student who "always wanted to write" used these tools and emerged a prize-winning playwright. A judge used these tools to fulfill his lifelong dreams of sculpting. Not all students become full-time artists as a result of the course. In fact, many full-time artists report that they have become more creatively rounded into full-time people.

Through my own experience — and that of countless others that I have shared — I have come to believe that creativity is our true nature, that blocks are an unnatural thwarting of a process at once as normal and miraculous as the blossoming of a flower at the end of a slender green stem. I have found this process of making spiritual contact to be both simple and straightforward.

Both adrienne and Julia make use of natural analogies — adrienne talks about mushrooms and dandelions being resilient, versatile, and healing members of their ecosystem — as well as the word "miraculous." From the cynical perspective, a "miracle" feels like a frivolous idea, or an exaggeration of things that are simply and boringly normal. But it's not a bad idea to remember the cosmic wonder that any of this exists at all. And that humans might be best-suited as natural producers of love and art.

If you are creatively blocked — and I believe all of us are to some extent — it is possible, even probable, that you can learn to create more freely through your willing use of the tools this book provides. Just as doing Hatha Yoga stretches alters consciousness when all you are doing is stretching, doing the exercises in this book alters consciousness when "all" you are doing is writing and playing. Do these things and a breakthrough will follow — whether you believe in it or not.

"Whether you believe in it or not." That's important to me. That part of me that can't believe, versus the part of me that wants to believe. The cerebral bureau of skeptics and prosecutors of my FBI attitude, and the Fox Mulder working in the basement of my mind, but instead of a UFO on the poster, there's a smiling moon of creativity and peace. I WANT TO BELIEVE.

In short, the theory doesn't matter as much as the practice itself does. What you are doing is creating pathways in your consciousness through which the creative forces can operate. Once you agree to clearing these pathways, your creativity emerges. In a sense, your creativity is like your blood. Just as blood is a fact of your physical body and nothing you invented, creativity is a fact of your spiritual body and nothing that you must invent.

Creativity moving through me like blood. Deep breaths of presence. Love inhabiting my mind as home. These are all such lovely thoughts, and have been so far away in recent months. I have proven to myself that my internal assessments of myself and my relationship to the world are flawed, unpleasant, and harmful. So I turn to my friends, who can see me more clearly. I turn to my teachers, new and old, who still have things to share and want only the best for me. And I extend a hand to myself — a gesture that brings a little tear to my eye just to type — a hand of friendship, of care, of forgiveness for all the difficulty that's come before. We can be helped. I can feel better. I want to say it out loud, type it, and make it real.

Thank you, as always, for reading.

August 26, 2019

The Universal Traveler

This is one of my favorite physical objects, and I thought y'all might like to see it. It's called The Universal Traveler, by Don Koberg and Jim Bagnall, and it has a revised publication date of 1974. I don't know when this copy was printed.

I found it in a used bookshop around a decade ago, probably Jackson Street Books in Athens, GA, which is gone now because the owner treated everybody like shit, didn't update his inventory, preferred to sell books online, and after years of open neglect and hostility had the sheer, jagged, cliff-face stones to blame "people not reading anymore" on the store closing. I enjoyed it while it lasted and made a lot of nice discoveries there between 2006 and 2016. Only as I type this do I fully realize the absence in my life without a good old-fashioned used bookshop nearby. Between losing Jackson Street, working in a new-books store for a few years (which was great but also oversaturated me with books and made it a lot harder to be excited about bringing yet another book into my life), the 2016 election (which made it physically uncomfortable for me to sit and just read very much for over a year), and the growing depressive sense that the accumulation of pleasurable knowledge in a collapsing fascist biosphere is a waste of time... the last few years have given me a very different relationship to reading than the one I possessed since I learned to read when I was three.

Despite all this and more, I've been trying to rehabilitate my reading mind. There are other parts of my brain that need help, including my creative capacity and big picture planning. So it is that I revisited my shelves in recent days, reorganized a bit, and rediscovered The Universal Traveler.

When I found this book all those years ago, it shook me like a blue bolt. I thought of myself as a creative person, really inhabited that as an identity more than I do now. Now, "being creative" is just something I do, whether I want to or not, and it feels like an affliction more often than it does something I want to identify with. But when this big, beautiful book slid off of the shelf and into my head, I resonated like a gong. "The Universal Traveler." What a great way to put it! That's something I'd like to be, I thought. I want to travel the universe! "a Soft-Systems guide to: creativity, problem-solving, And the process of reaching goals". Good lord! I'd like a guide to all those things! And just look at it; it had traveled decades to eventually meet me, from the fabled creative paradise of California, the place I was born, and the sand-gathered throne from which I was deposed.

It feels even rarer now than it did then to come across a book I've just never heard of, let alone one that I want to read immediately.

"DESIGN IS a process of MAKING DREAMS come TRUE", said the back of the book. Hot damn, 22-year-old me thought. I love dreams! I want to make them come true! I guess... whatever they mean by "DESIGN" might be a key ingredient in that Process. This was in like 2009, before the obnoxious tyranny of design as a daily talking point for everyone from software chumps to man-child billionaires had fully swept our burgeoning dark age. I was 22 god dang years old. I had slept with one person a few times, I was still years away from smoking or drinking any drugs, and I was depressed as hell but had yet to give up completely on the promise that what I made might save me from misery. Art felt possible. Design could still feel exciting. A book from the 70s could promise a kind of lost-art sensation from a bygone era of dream-design. The back cover said it was from "One First Street, Los Altos" for crying out loud. One First Street! If there was ever a mystical secret originary street hidden somewhere in this cursed and scoured land, there it was!

There's much more to say about this, but that's all I have time for right now. One last thing I want to share about right now is that, in addition to the ancient text of book itself, there are a couple of ancient papers inside, too. And one thing that made it feel even more like the book was, itself, a Traveler is this old Delta boarding pass I found tucked partway inside:

Look at this thing! Printed, probably screen-printed en masse? Probably from the 80s, based on a couple of other clues in the book itself. Smoking section printed, but not marked. Does that mean it was after smoking sections had been eliminated, or that this flight didn't have those sections? A sticker for the seat number!

And on the back, all these lovely little brand logos, and an alcoholic drink list "AVAILABLE AT A NOMINAL CHARGE". I love it!

Between this printed boarding pass and the hand-assembled nature of the book itself (which gets more apparent in the next few pages, that this book made by designers to teach designers has a fabulously-handmade quality of now-neglected printing methods), you can really get the feeling that our clean and tidy digital world — for whatever benefits it may be alleged to have brought us — sure is a lot less fun to interact with. Intangibility grants ubiquity, but for some combination of reasons capitalist and corporate, the things that reach billions of hands are so often devoid of the sense that any human's hand was involved in getting it to us. Though I'm sure there are people who actually flew on a plane in the 1980s who would say these printed cards felt impersonal and disposable at the time, too. Would you?

As we can see from the introduction, these people were already enmeshed in this digital-physical tension.

This is one a small handful of books that I treasure as sacred objects. It made a big impression on me 10 years ago; I wonder now if it can be helpful, if I can re-learn its lessons, or take something new into the scorched fields of my imagination. It looks like it's been reprinted a few times (with an eventually-worse cover, of course), if you want to read it yourself. And if you know anything else about this book, its authors, or the boarding pass, email me! I'll try to share more bits as I read it in the coming weeks. Okay, thanks for reading about what I'm reading!

August 23, 2019

"Because they just know."

Megan Greenwell on Deadspin:

This man is not the adult in the room at the former Gawker Media, just as Kendall Roy was not the adult in the room at Vaulter and Alden Global Capital executives are not the adult in the room at any of the 100 newspapers they are destroying. Sending a copied-and-pasted company handbook, issuing vague edicts about becoming sites for “enthusiasts,” and making inexplicable changes for the sake of making changes are the professional equivalent of a small boy dressing up in his father’s suit: He is role-playing, deluding himself but no one else.

But the adults in the room know that we’re wrong, despite all evidence, because they just know.

As frustrating as it is to read about yet another business mismanaged by ignorant aristocrats, I take tremendous pleasure in this calm, clear, and devastating account being posted to the site it describes as its author heads out the door. There are so many businesses run by people who won't even ask their workers what the business needs, let alone listen when they are told anyway. But the people who actually do the work in a company always know better than the owners. Purchasing a media publication just to have an account of your stupendous failings published by that same company is... [emoji of Goku devouring an entire table of food and then sitting back with a sleepy, satisfied smile]