Meat Loaf offered his slobbering heart on a silver tray, and so did we all before we knew better, and thus did he violate one of the cardinal covenants of artistic maturity: as adult creators, we are never again to partake of the gasping desperation of those teenage years once they pass us by. If we only wrote what we felt, we’d be teen idols forever, enslaved and enfeebled by our emotions. If we said what we felt as soon as we felt it, what havoc we would wreak!

Well, I’m not too good for Meat Loaf, any more than I’m too good for the truly elemental experiences of the earth, the orgasm or the slashing of an artery or the blissful thrill of Motorcycle. No writer is, no artist should be. The more willing we are to inhabit agony and ecstasy and the rest of it, the more popular we become! How magical is that? All we have to do to appeal to humans is feel the feelings of humans. It’s simple, and yet if the writer’s goal is not to get hurt, it’s the most impossible thing in the world. Already too susceptible to feelings, we believe we avoid them with good reason.

— Rax King

I like this essay!